Register
2003/4-02 - (cantabile) melodies
2003/4-03 - 1st inversion
2004/5-18 - 2 beats against 3
2003/4-05 - 2nd dominant
2003/4-03 - 2nd inversion
2003/4-11 - 3 primary chords of a key
2003/4-05 - 3rd, 4th, 5th dominant
2004/5-13 - accent to note in chord
2003/4-03 - accompaniment
2003/4-25 - accompany a singer
2003/4-02 - accompanying
2003/4-01 - accordion
2003/4-07 - added notes
2004/5-06 - advanced chords
2004/5-07 - Aeolian
2003/4-07 - agmented seventh
2003/4-07 - Alberti bass
2003/4-07 - alteration
2003/4-19 - alterations
2003/4-19 - altered note
2003/4-03 - Am
2004/5-08 - ambiguity
2003/4-04 - A-minor
2003/4-27 - anticipation
2003/4-25 - arranging
2003/4-20 - articulation
2004/5-02 - attack
2003/4-07 - augmented chord
2003/4-03 - augmented triad
2003/4-04 - bars
2003/4-01 - base
2003/4-02 - base tone
2003/4-09 - basic chords of a key
2003/4-13 - bass downward
2003/4-13 - bass line
2004/5-08 - bass lines in stead of chords
2003/4-06 - big band jazz
2003/4-01 - black keys
2003/4-03 - black keys
2004/5-15 - black-outs
2003/4-06 - blue note
2003/4-07 - blues
2003/4-07 - boogie-woogie
2003/4-16 - break
2004/5-13 - break
2003/4-01 - broken chords
2003/4-20 - broken chords
2003/4-10 - canon
2004/5-01 - Carribean style
2003/4-03 - Caug
2003/4-03 - Cdim
2003/4-01 - c-flat
2004/5-14 - channeling
2004/5-07 - Chinese scale
2003/4-01 - chord
2003/4-06 - chord notes
2003/4-04 - chord progression
2003/4-26 - chord progression
2003/4-14 - chord scheme
2004/5-17 - chord schemes suitable for improvisation
2003/4-04 - chords between the words
2003/4-07 - chords in songbooks
2003/4-21 - chorus
2004/5-12 - Christmas songs (Dutch)
2003/4-13 - chromatic notes
2003/4-14 - church mode
2004/5-07 - church modes
2004/5-22 - climax
2004/5-15 - close
2004/5-26 - closing
2004/5-26 - coda
2003/4-07 - common major triad
2003/4-08 - composer
2003/4-11 - confirmation
2004/5-05 - confirmation of a key
2004/5-19 - control both hands simultaneously
2003/4-03 - counting keysteps
2004/5-23 - counting of key steps
2003/4-01 - c-sharp
2003/4-13 - current chord
2003/4-06 - current key
2003/4-11 - current key
2004/5-02 - damper pedal
2004/5-26 - definite closing
2004/5-11 - definition of whole step
2003/4-10 - degrees of a scale
2004/5-09 - degrees of a scale
2004/5-05 - degrees of keys
2003/4-11 - design of a scheme
2004/5-02 - detuned piano
2004/5-05 - difference between scales
2004/5-02 - digital piano
2003/4-18 - diminished scale
2004/5-07 - diminished scales
2003/4-07 - diminished seventh chord
2003/4-03 - diminished triad
2003/4-17 - disobediant break
2003/4-04 - dissolve
2003/4-16 - Dixieland style
2003/4-05 - dominant
2003/4-05 - dominant chords
2003/4-04 - dominant seventh chord
2004/5-03 - dominant seventh chord
2004/5-07 - Dorian
2003/4-10 - Dorian scale
2003/4-01 - double notes
2003/4-15 - drive
2004/5-02 - drum
2004/5-10 - Dutch Sinterklaas songs
2004/5-25 - enter into the play
2004/5-25 - exercise
2003/4-17 - expectation and surprise
2004/5-26 - exposition
2004/5-21 - expression of sobs
2003/4-07 - fado
2004/5-15 - fake modulation
2004/5-04 - fall of melody
2003/4-03 - fifth
2003/4-17 - fill in
2004/5-16 - fingering
2003/4-01 - fingering (of piano playing)
2003/4-05 - flats
2003/4-07 - folksong
2003/4-19 - forefall
2004/5-26 - forms in music
2004/5-11 - frequency ratio
2004/5-27 - frequency ratios
2004/5-26 - fugue
2003/4-10 - Gipsy scale
2003/4-14 - grasp of a chord
2003/4-10 - Gregorian chant
2003/4-03 - half steps
2003/4-06 - harmonic flow
2003/4-04 - harmonic minor scale
2004/5-27 - harmonics
2003/4-10 - harmonize
2003/4-02 - harmony
2004/5-07 - heptatonic scales
2003/4-01 - hum
2003/4-07 - humpa
2004/5-07 - Hungarian gipsy scale
2004/5-13 - I can't give you anything but love
2004/5-03 - I, IV and V
2003/4-01 - improvise
2003/4-05 - initial key
2004/5-20 - inspiration
2003/4-01 - instrument
2003/4-02 - instrumental melodies
2003/4-27 - instrumental melodies
2003/4-06 - instrumental ornaments
2003/4-19 - intermediate chords
2003/4-02 - interval
2003/4-03 - intervals
2004/5-26 - intro
2004/5-21 - invent a melody
2003/4-03 - inversion
2004/5-07 - Ionian
2004/5-07 - Japanese scale
2003/4-16 - jazz
2003/4-02 - jazz music
2003/4-06 - jazzy
2003/4-03 - key (as part of a piano)
2003/4-03 - key (as relationship between chords)
2003/4-09 - key dertermining chords
2003/4-03 - key of C
2003/4-05 - key signature
2003/4-01 - keyboard
2003/4-01 - keys (of piano)
2003/4-03 - keysteps
2004/5-11 - leading chords
2004/5-11 - leading tones
2003/4-16 - learn to play jazz
2004/5-21 - legato
2003/4-10 - lick
2004/5-22 - lively playing
2004/5-07 - Locrian
2003/4-01 - lower (of tone)
2004/5-07 - Lydian
2004/5-03 - main chords of a key
2004/5-26 - main theme
2003/4-03 - major key
2003/4-07 - major seventh chord
2003/4-03 - major third
2003/4-03 - major triad
2004/5-25 - meeting demands
2003/4-01 - melody
2003/4-02 - melody
2004/5-19 - melody ahead of chord
2004/5-19 - melody and companiment
2004/5-14 - melody building blocks
2004/5-04 - melody like talking
2004/5-06 - memorize a chord scheme
2003/4-01 - middle c
2003/4-10 - miniature schemes
2003/4-04 - minor key
2003/4-04 - minor key
2003/4-04 - minor scale
2003/4-03 - minor third
2003/4-03 - minor triad
2004/5-08 - mix task for left and right hand
2004/5-07 - Mixolydian
2003/4-10 - Mixolydian scale
2003/4-04 - modulated
2004/5-03 - modulation and climax
2003/4-09 - modulations
2003/4-10 - Mol-dur scale
2003/4-09 - musette waltz
2003/4-01 - music
2003/4-04 - natural minor scale
2003/4-09 - new initial key
2003/4-16 - New Orleans style
2003/4-07 - none chord
2003/4-01 - note
2003/4-01 - note symbols
2003/4-04 - notes belonging to the key (scale)
2003/4-04 - notes not belonging to the key (scale)
2004/5-05 - number of flats
2003/4-04 - number of measures per chord
2004/5-05 - number of sharps
2003/4-01 - octave
2003/4-03 - octave
2004/5-07 - Octotonic scales
2003/4-04 - one chord per measure
2003/4-01 - organ
2004/5-27 - organe pipe
2004/5-24 - orientation
2003/4-07 - overtone
2004/5-27 - overtones
2004/5-26 - parts
2003/4-15 - pedal
2004/5-07 - Pentatonic scales
2004/5-15 - perform for audience
2004/5-07 - Persian gipsy scale
2003/4-15 - personal expression
2004/5-04 - phrase of a melody
2004/5-07 - Phrygian
2003/4-01 - piano
2003/4-06 - piano alien notes
2003/4-01 - play
2004/5-25 - playing numbers over and over again
2003/4-16 - polyphonic
2004/5-21 - portato
2003/4-01 - position (of chord)
2004/5-16 - position at the piano
2003/4-27 - postponing a solution
2003/4-08 - practice chords
2003/4-07 - primary chords
2003/4-16 - primeval blues
2003/4-04 - principal chords of keys
2004/5-14 - process of creation
2003/4-16 - ragtime
2004/5-18 - ragtime
2003/4-01 - raise (of tone)
2003/4-09 - refrain
2004/5-26 - refrain
2003/4-05 - related in the 1st degree
2003/4-05 - related keys
2003/4-04 - relative keys
2004/5-15 - repertoire
2004/5-25 - repertoire
2004/5-04 - repetitions of a single note
2004/5-06 - replacement for primary chords
2004/5-08 - replacement of chords
2003/4-22 - replacing chord by single note
2004/5-04 - reprise
2003/4-10 - riff
2004/5-04 - rise of melody
2004/5-26 - rondo
2003/4-02 - root
2003/4-03 - root
2003/4-04 - root chord of a key
2004/5-03 - root notes
2003/4-03 - root position
2003/4-20 - runs
2003/4-01 - scale
2003/4-04 - scale
2003/4-05 - scale alien
2003/4-06 - scale alien notes
2003/4-09 - scale alien notes
2003/4-06 - scale notes
2003/4-09 - scale notes
2003/4-04 - scale of Am
2003/4-04 - scale of C
2003/4-05 - scale of F
2003/4-05 - scale of G
2004/5-07 - scales in key steps
2004/5-07 - scales in main chords
2003/4-06 - scheme
2003/4-16 - score
2003/4-19 - second part
2003/4-10 - second voice
2003/4-03 - semitones
2004/5-26 - sentence
2003/4-04 - seventh chord
2004/5-03 - seventh note
2003/4-07 - seventhe note
2003/4-05 - sharps and flats
2004/5-04 - short
2003/4-14 - simplification of musical aspects
2004/5-27 - sine wave
2003/4-06 - singable parts
2003/4-02 - singer-oriented melodies
2004/5-25 - something new
2004/5-26 - song form
2003/4-27 - song melodies
2003/4-07 - songbook
2003/4-01 - sound
2004/5-27 - sound
2004/5-07 - Spanish gipsy scale
2004/5-21 - staccato
2003/4-22 - staff notation
2003/4-13 - stride style
2004/5-13 - stride style
2003/4-07 - style
2003/4-11 - subdominant
2004/5-08 - suggest harmonic flow
2003/4-07 - suspended
2004/5-02 - swell pedal
2003/4-16 - swing style
2004/5-25 - symbolism
2004/5-02 - sympathetic resonance
2003/4-16 - syncopes
2004/5-27 - table piano frequencies
2003/4-17 - tap-dance
2003/4-09 - temporary key
2003/4-05 - temporary modulation
2004/5-22 - tension
2004/5-26 - ternary form
2003/4-21 - text
2004/5-04 - theme
2003/4-27 - thrill
2004/5-05 - thumb rule to enter a key
2004/5-02 - timbre
2003/4-01 - tonality
2003/4-01 - tone
2003/4-01 - touch (of keys)
2004/5-02 - touch sensitivity
2004/5-23 - transposing a chord scheme
2003/4-03 - triad
2003/4-03 - tuning of instruments
2004/5-18 - ukulele banjo
2003/4-18 - underlying harmonic flow
2003/4-13 - upward bass line
2003/4-05 - valid key
2004/5-26 - verse
2003/4-16 - vibraphone
2004/5-11 - vibrations per second
2003/4-01 - voice
2003/4-14 - voicing
2003/4-25 - voicing
2003/4-16 - walking bass
2003/4-01 - white keys
2003/4-10 - whole-tone scale
2003/4-16 - wind band
< Index of the course